Showing posts with label history museum. Show all posts
Showing posts with label history museum. Show all posts

Sunday, March 30, 2014

So You Want to Write a Book

For the Annual Meeting for The New England Museum Association they have a Pecha Kucha night where we get to mush big, or special, or special big topics into 20 slides, 20 seconds each.  It is an excellent processing challenge I enjoy, so I tried to condense my writing/publishing experience (and my confusion at why I keep writing books) into that time frame, with a bit of song-dance-acting-and confessions all rolled into it. 

Preparing it was an excellent diversion from working on my current book on Environmental Sustainability at History Museums and Historic Sites.  I can't put all the images here, but I'll put a few....
1.    So – you want to write a book. We all think about it and it’s time it was out in the open - We all have fantasies.
2.    We dream of NPR interviews. And we imagine that oh-so-delicious feeling of sliding that book – your book – into the book case.  Seeing your name there on the spine as it sits on the shelf with the others you’re going to write some day...
3.    Like any sane person, you dream of money. But sane people don’t write books for niche markets like the museum field.  You’ll get 8% unless you have a co-author and then it’s less.  And have you ever seen a book sell at full price on Amazon?
        4.    Still, you’ve agreed to do this thing and there is a deadline.  So you collect all your ideas and you review the outline. Then you pitch it because it’s boring and you start over. And you write a new one which turns out to be just like the old one with a few embellishments. So it’s really time for inspiration.
        5.    After all – this has to be best thing you’ve ever written. You relax and let the ideas come to you. You assign the tough parts to your subconscious, and you start thinking about all the great things you’ll put in the book. Soon you are so excited that it’s time to start writing. 
6.    Choosing the right writing spot is critical.  I love a porch – fresh air, nature, a slight breeze, it all helps the ideas flow.  But coffee shops are more productive. You can’t just stare out in space, you have to at least look productive and you can’t duck-in to do the laundry or dishes.
7.    But I really write, in the office, at a desk with my butt in my seat, it’s all about butts in seats.  This is where you will pin down the thoughts, organize them, and finish the work. Music can help.
8.    Music - I love working to music, but writing words while listening to a song like BRAVE will just have me up dancing and singing, and there will be no typing happening. For me, music with words is contra-indicated. 
9.    Now LAST OF THE MOHICANS, with all that Dah, dah, dah dah, dah dah, dah, dah, is perfect for typing.  A little Celtic music, and some George Winston work well too, even PIRATES of the CARRIBEAN or MASTER and COMMANDER work.  
10.  What if you don’t type?  I write the first draft long-hand; it helps me really think things out.  Then I read it into the computer.  And I am careful not to listen to music with words while talking to the computer...    I choose my approach based on my mood.  Sometimes my mood needs a little help....
11.  Bribery – I love coffee, but if I have too much. then it’s hard to keep my butt in the seat. So I also bribe myself with peppermint patties.  If I finish a chapter or a case study, I get a peppermint patty.  The peppermint patties live at the store.  I have to walk there to get them. If they lived at home there would be too much of my butt in my seat. 
12.  Wine is a good antidote to coffee; it helps me relax and really get the ideas flowing. Plus I have to edit this stuff, anyway, so it doesn’t matter about spelling and punctuation when I’m on the wine. 
 13.  One day you are finally done.  You skip off to the post office - yes a print copy and a CD version - and you stand in line and you wonder if anyone notices the aura of a published author around you. They don’t.  And then you realize they wouldn’t because they’re probably not published authors..... You hand it in and skip home …
        14.  ... and on the way you think that you should not have used the hyphenated version of environmental-sustainability quite so often, and then you think of all the other people you should have interviewed, and all the other people who could have written this so much better than you did. This is called Fraud Syndrome. It will fade until ....
         15.  ... one day you’re surprised by this big whopper of an email with all the editor’s changes. Sheesh!  They want you to double-check your references – even though you’re a trained historian and you did that to begin with; and they want you to put a period after the date in every reference!  Well,
16.  You would have done that if had read the author’s guidelines instead of picturing yourself sliding that book into the bookcase; [It’s time for wine], and …wait for it….they want you to not hyphenate "environmental sustainably so much". You do all this because you know they are right, even if you are grumpy, and then you fake-skip to the post office. 
17.  Still - no one in line notices you’re a published author. So, you trudge home swearing you will never to do a hyphenated green thing again. Then you take all the recycling and put it in the garbage.  Then you take the compost and put it in the garbage too. It does not make you feel better. You do penance for your sin by putting it all back.
       18.  But one day a box arrives! It's a box of 20 books you can’t sell because you have   
             appropriately promised to send them to all the kind people you interviewed and who know
             more about this than you do.  So you take out the one copy you’ll keep, and you cry, and you
             have  a glass of champagne and you slide it on the shelf and admire it.
      19.    Well, one day, years later, the second book comes and you open the box and you don’t cry
              but you have two glasses of champagne, and you put it on the shelf next to the first one.Y
              You smile.  Then one day the third book arrives and you open it up, look at it and 
              say "who okayed these colors?" (you did), and "is there anything else in the mail?" And you
              don’t cry, you don’t drink, and you put it on the shelf. (Now you're just getting snooty).
       20.    And then, one year, the fourth one comes and you see how big and fat it is and you say
                “this is getting out of hand”.  But to celebrate you sit on a friends’ porch and drink a glass
                of wine. And slowly an idea comes to you, and you find a scrap of paper and write down a
                few notes, and you realize you are about to do hyphenated green things all over again!

Writing for the museum field isn't exactly earning a living, but it certainly is a great life.

Monday, August 12, 2013

Overheard: Climate Change Discussion at a History Museum

Girl visitor exiting log house and cooking demonstration at Landis Valley Village & Farm Museum: "I wouldn't have wanted to live then: no air-conditioning".

Slightly older male visitor with her: "they didn't need air-conditioning back then; there wasn't as much asphalt heating-up everything". 

Just the week before I had had a conversation with a conservation client about focus group on environmental literacy among its members. The responses showed widespread awareness of the connections among air, food, water and the health of the environment, but no mention of climate change or, when queried, understanding of the relevance of climate change to environmental health. I had hoped in my heart of hearts that climate change had reached awareness levels, but I guess I wasn't surprised to hear this report. 

So the comment about asphalt and air-conditioning struck me. Why did this historic site visitor connect to climate change and the science/nature group did not?  This is too small a sample for conclusions, but it does encourage me to think about how historic sites - demonstrating change over time (though not with this mythology behind them) - can make a great difference in communicating climate change.

One of the challenges of communicating climate change is that demonstrated change, and demonstrated impact create the strongest, most defined, responses, but climate change is such a large and complex issue, that it can be difficult to demonstrate without using distant imagery: comparative photographs of melting polar ice, or decades of history of change in carbon levels or frequency of storms (see link at end of blog). Our visitors probably haven't felt that change; they see it and consider it, but don't feel it. 

When the situation relates directly to the individual, it becomes more real.  So, in these two examples, those being directly affected by heat and comfort are drawing conclusions, while those thinking about the environment as a whole, and its effects on larger scale, have missed it entirely.

With our credibility as some of the most trusted sites for information, museums, zoos, gardens, sites, and aquariums can communicate climate change in meaningful ways, but perhaps the history museums and historic sites have the best chance of creating change that leads to action.
  • If your site has planting and weather records from 100 years ago, and can compare them to current weather and planting reports, you can demonstrate direct impact that a visitor can recognize and feel.
  • If you interpret architectural or community-building history at the waterfront, you can discuss how weather-incidents and potential for sea-level rise might affect community and home location choices today.
  • Do you have collections with photographs, paintings, or etchings for comparing to today's landscapes? Are they of nearby places (more accessible than Alaska) that more visitors are likely to see and feel personally?
Climate change and environmental sustainability issues aren't just for science and nature sites. These are global issues and we all have a role in creating change.

Note:  The 2005 article by Anthony Leiserowitz  on risk perception and communicating climate change for Yale University is a good read and is something I use in my work.

 

Thursday, May 30, 2013

American Swedish Institute Honored As First LEED Gold Certified Museum In Minnesota

Environmental sustainability and history working well together!  The new Nelson 
From the ASI website www.asimn.org
Cultural Center is a lovely addition to the American Swedish Institute's museum and historic house in Minneapolis - made even lovelier by the recent successful completion of LEED-NC Gold certification. The press release says "
ASI is proud to be the first museum in Minnesota to earn this designation as part of its ongoing effort to promote and practice the values of respect for all peoples and the environment that are exemplified in the Nordic countries."
 
Talk about green as mission support!
 
At last year's AAM conference a number of us were delighted to take a green tour, and then Elizabeth Wylie and I included the project in the new edition of The Green Museum: A Primer on Environmental Sustainability just published by Altamira Press. What I love about the building is that it clearly does not compete with the historic structure, is set apart to provide views to the structure, and its green design reflects the principles of the institution it was created to support. Plus the daylighting and green space are fantastic.
 
ASI reports "Architect Tim Carl of Minneapolis-based HGA led the design team for the Nelson Cultural Center.  Swedish designers, Åke Axelsson and Karin Ahlgren served as consultants to the project. Green elements including bio-roofs and a geothermal heating and cooling system ensure that ASI remains not only beautiful but sustainable Institute for generations of visitors to come."                   CONGRATULATIONS TEAM!