Showing posts with label Phipps. Show all posts
Showing posts with label Phipps. Show all posts

Wednesday, July 12, 2017

#MuseumsforParis from American Alliance of Museums' Alliance Labs


Here's an important post on #MuseumsforParis at Alliance Labs. It explains the who, what, why, and how of supporting the US, no the World's, commitment to the Paris Agreement.

The "where" is solved by contacting me with your commitment sarah@sustainablemuseums.net and using the hashtag #museumsforparis to let the world know.

This image from the post shows us what can be done inside and outside your organization for the good of all.

In a new display at the entrance to Phipps Conservatory and Botanical Gardens, 16 oil barrels provide a visual representation of the amount of CO2 guests can prevent from being released into the atmosphere annually by switching to renewable energy.

If you want to see more of Phipps' work in action, check out the Green Power Drive page at phipps.conservatory.org/greenpower

Now, what are you doing and what do you WANT to do to be part of this?





Thursday, June 20, 2013

Environmental Communication: Blogpost on Biodiversity from Phipps

Phipps' Edible Garden
The work at the Phipps Conservatory in Pittsburgh leads the field in so many ways:
- green buildings from smart to Living Building
- sustainable site management in the SITES program
- teaching about healthy food and healthy eating habits, and modeling them
- and environmental communication

The recent blog post on Love, Not Loss: A New Way to Talk About Biodiversity is a must-read and a great example of how we who interpret nature and climate science, and the human connection to our world, must learn to reframe the discussion.  The post describes a campaign by the Commission on Education and Communication at the International Union for Conservation of Nature to change the way we communicate about biodiversity so that we can improve our effectiveness and supporting biodiversity. The way environmental activists and educators have talked about making change doesn't seem to have been as effective as we'd all hoped...time for a new approach to create real change. 

Here's an excerpt from the post:
The three core aspects of this campaign are 1.) localizing its focus to regional species, 2.) humanizing the message and 3.) talking about the people behind conservation successes. The goal is to combine this positive messaging with a call to action. These two things together are what the IUCN are hoping will create a real shift in conservation attitudes and actions. As an educator, this approach resonates because of the pervasiveness of negative messaging in environmental education for children. Sometimes doom and gloom are the main motivators of a program, which can scare and guilt children; students who are given negative messaging retain less information and are less likely to make an attitude change than when given a positive environmental message (Source).  Another danger is that a focus on loss and extinction can often lead to apathy and inaction (Source). We should be inspiring our students towards opportunity instead of scaring them away from consequences. It is entirely possible to engage our students and inspire action, not fear.

Combining messaging with a call to action, changing from doom to hope with a plan - now that's what we museums, zoos, gardens, aquariums and historic sites can do in a way few other places can.  Think about it, then practice it.

Wednesday, June 5, 2013

Book Review: Building in Bloom

The making of the Center for Sustainable Landscapes at Phipps Conservatory and Botanical Gardens
From Website: Center for Sustainable Landscapes


Do you remember when brown-colored recycled paper was the symbol of environmentally-mindedness? Back then it was one of the few visible ‘green’ aspects of our lives. It was also indicative of a culture only barely beginning to use its marvelous brains and wondrous hearts to change behavior on the way to creating the future. Building in Bloom, as it chronicles the creation of Phipps Conservatory and Botanical Gardens’ Center for Sustainable Landscapes (CSL), Pittsburgh, PA, is a testimony to the capacity for humans to use those minds and hearts to create a beautiful future. 
If you are building, expanding or remodeling your site, please, please, please read this book. It shows us that we have the resources and the wherewithal - and the responsibility and talents - to do our work differently, to do it in a manner that guides others to a more sustainable future as we create sustainability for our own institutions. I am not saying we all need to become living sites, but I am saying that we can all dramatically change how we think about the sustainability of our present sites, and how all future ones can be and must be living sites.

The book is beautifully illustrated and so comfortably-written by Mary Adam Thomas that it is a joy to take up from your pile of professional reading. Move it ahead of what is already there.  Share it with others in your organization; read it together as if in a book group. Take the sections individually and think about how they apply to your institution – building projects or not – and to the way you think about the power of your site and the power of example to create meaningful change for the world.

Take careful note of these topics:
-          The importance of the group design process from the beginning. There were 14 full-day design charrettes. This significant design time was necessary in part because the CSL was one of the first sites to take up the Living Building Challenge, making extra work for both  the design team and the Challenge staff as they worked through the early-adopter phase, but in any project you cannot over-value the lessons and benefits of the collaborative design process for either the participants or the end result.

-          The importance of recognizing the project’s soul .  Rod Spearin at Cranbrook used that word in thinking about what was the goal for their green work; it is a perfect description of the guiding principles of a green project.  At some decision-making junctures Richard Piacentini, Executive Director of Phipps, had to make buck-stops-here decisions. They were based on what the project needed to be, not based on responses to barriers.

-          Ask questions. Years ago Richard taught me this most important lesson of all. Ask why can’t we? Why should we? Is there another way? Can we imagine another way? He did this during the CSL project because.

-          There are better ways and we will keep finding them. After all,  repeating past behaviors will not solve our sustainability issues; continually reaching for better is the only way.

“As I look back to when we first contemplated accepting the Challenge, I am not surprised that there never was  debate over costs or whether or not we should have done this. I think that is because when your mission vision and values encourage you to imagine and build a future worth living in you will find the will and the way to do it". – Richard Piacentini, Building in Bloom

About the text
The book is also an elegantly clear summary of the Living Building Challenge and you can access a complete version at www.living-future.org.  It is a building standard simultaneously rigorous and intuitive. There are six ‘petals’ or categories of performance addressing 16 imperatives, and there are two governing rules:

1)      All elements of the Living Building Challenge are mandatory. Many of the requirements have temporary exceptions to acknowledge current market limitations. These are listed in the footnotes of each section. Exceptions will be modified or removed as the market changes.

2)      Living Building designation is based on actual, rather than modeled or anticipated, performance. Therefore, buildings must be operational for at least 12 consecutive months prior to evaluation.

The Six Petals:

1)      Site: Restoring a healthy coexistence with nature

a.       Responsible site selection

b.      Limits to growth

c.       Habitat exchange

2)      Energy Petal: Relying on current solar income

a.       Net Zero Energy

3)      Materials: Endorsing products and processes that are safe for all species through time

a.       Red list (the no-go list)

b.      Construction carbon footprint

c.       Responsible industry

d.      Appropriate Materials/Services radius

e.      Leadership in construction waste

4)      Water: Creating water-independent sites, buildings and communities

a.       Net-Zero water

b.      Sustainable water discharge

5)      Indoor Quality: Maximizing physical and psychological health and well-being

a.       Civilized environment

b.      Healthy air: source control

c.       Healthy air: ventilation

6)      Beauty and Inspiration: Celebrating design that creates transformative change

a.       Beauty and spirit

b.      Inspiration and education

 

Tuesday, April 17, 2012

Restorative Work - Our Responsibility

The Phipps Conservatory in Pittsburgh is doing it again; and I'm sure they won't ever stop doing it.

They are greening green.

They don't do it alone, of course. They invite researchers, consultants, community members, staff members, all the players who can and want to contribute - and are local - to put together good minds to solve the problems we've created for ourselves. And that integrated approach pays off beautifully. 

Follow this link for the full examination of green bells and whistles, Phipps Center for Sustainable Landscapes (CSL), but if you have less time or you are ready to think about what you can learn from the Phipps, there's a news posting here that really moves me, though. It finishes with this stunning paragraph - please read it and think about how this can change the way you see your institution's 'green' role:

[This is] a time when human society demands nearly two times more resources than our planet can support and regenerate, making environmental conservation a priority in each of our actions is essential to helping mend our relationship with nature. As an international model for sustainable design and operations, and a place for performance research to be shared far and wide, the CSL and its landscape aspires to provide a glimpse of what could be and operate as an important catalyst for change.

Quietly powerful, and it begs these questions of each of us:
  • Are you, or can you become a model for sustainable design and (or) operations in any or many aspects?
  • Do you conduct performance research on green practices and design - from good green cleaning materials or resources for low-impact collection care materials, to better light management in the galleries?
  • Does your work mend your institution's relationship with nature?
  • Are you a catalyst for change?